The Good Cop

  The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.

  This is a work of fiction.

  All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

  THE GOOD COP. Copyright © 2013 by Brad Parks.

  All rights reserved.

  For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.minotaurbooks.com

  Cover design by Flamur Tonuzi

  Cover photograph by Gunay Mutlu/Getty Images

  The Library of Congress has cataloged the print edition as follows:

  Parks, Brad, 1974–

  The Good Cop: a mystery / Brad Parks.—First Edition.

  pages cm

  ISBN 978-1-250-00552-6 (hardcover)

  ISBN 978-1-250-02246-2 (e-book)

  1. Ross, Carter (Fictitious character)—Fiction. 2. Reporters and reporting—Fiction. 3. Murder—Investigation—Fiction. 4. Police—Crimes against—Fiction. 5. Newark (N.J.)—Fiction. 6. Mystery fiction. I. Title.

  PS3616.A7553G66 2013

  813'.6—dc23

  2012042104

  eISBN: 9781250022462

  First Edition: March 2013

  To my wonderful parents, who deprived me of the tormented childhood every novelist supposedly needs, instead showering me with endless love, affection, and encouragement that continues to nourish me to this day.

  If my books aren’t dark and twisted enough, it’s totally their fault.

  CONTENTS

  Title Page

  Copyright

  Copyright Notice

  Dedication

  Chapter opener 1

  Chapter 1

  Chapter opener 2

  Chapter 2

  Chapter opener 3

  Chapter 3

  Chapter opener 4

  Chapter 4

  Chapter opener 5

  Chapter 5

  Chapter opener 6

  Chapter 6

  Chapter opener 7

  Chapter 7

  Chapter opener 8

  Chapter 8

  Chapter opener 9

  Chapter 9

  Acknowledgments

  Also by Brad Parks

  About the Author

  The exchange started with nothing more sinister than an ad on Craigslist.

  It was a posting created by an outfit that called itself Red Dot Enterprises and placed in the jobs section of the Hampton Roads Craigslist, under the heading of security. The link said, simply, “Security Guard Wanted.” The following came one click later:

  Competitive pay for limited duration work.

  No experience necessary.

  No HS diploma or GED needed.

  Must be able to pass criminal background check.

  Must have own vehicle.

  Current State of Virginia concealed carry permit required.

  To John Bristow, it sounded like a good deal. He was an ex-marine who had kept keep his nose clean and an avid hunter who had gotten a carry permit shortly after mustering out of the service years earlier.

  Most of all, he had child support, a landlord who was getting tired of partial payments, and a car that was being held together by rust and duct tape. He needed a job. Any job would do. He had been laid off during the depths of the Great Recession four years earlier and none of the employment he had found since that time had come close to replacing his previous income. The tips at T.G.I. Friday’s just weren’t that good.

  So he answered the ad from Red Dot Enterprises, clicking on the “Reply to” link supplied. He wrote a note, saying he met all the qualifications. He heard back quickly.

  Soon, there was an exchange of phone calls, always from blocked numbers. Bristow could guess it was something shady. He talked to a guy who even sounded shady on the phone, a black guy from up north who asked a lot of questions but gave few answers.

  Bristow learned it was more of a onetime assignment than a steady job. But the money was good. And easy. The guy on the phone seemed mostly concerned about Bristow’s discretion, and kept reminding him he couldn’t discuss the work he would do—not with his wife, his girlfriend, his priest, or his rabbi. No one.

  Bristow asked right away: Was Red Dot Enterprises involved in drugs? Because he wasn’t interested in doing anything with drugs. He wasn’t some junkie, and he sure as hell wasn’t going to work for some scumbag dealer.

  No, he was told. No drugs.

  So what was it? When the guy finally got around to saying it, Bristow was relieved. It wasn’t drugs. Or trafficking in whores or illegals or any of the other possibilities Bristow had been pondering.

  It was just guns. They wanted him to buy some guns. They were going to pay him for the guns, pay him generously for his time, and then leave him alone. It was one day’s work—less than that, actually. Yet it would pay him better than a month of working nights at Friday’s.

  Was he helping to arm an insurrection against the federal government? Procure firearms for ex-cons who couldn’t buy their own? Enable some massive shooting spree? Bristow didn’t particularly care.

  Whatever someone did with those guns, that wasn’t on him.

  CHAPTER 1

  Among the many reasons I enjoy being a newspaper reporter—not the least of which are the freedom, the fun, and the constitutionally protected right to announce when people are acting like idiots—one of the small-but-important pleasures is what I’m doing each morning at eight thirty-eight.

  At 8:38 A.M., I imagine most gainfully employed, industrious members of our society are already enjoined in the struggle that is their daily grind. They have attended to their grooming needs, squeezed themselves into their workaday uniforms, rushed through a meal that puts the “fast” in “breakfast,” and made the necessary concessions to their caffeine addictions.

  At 8:38 A.M., they are inhaling the carbon-tinged exhaust fumes from the car in front of them on the Garden State Parkway; or they are recovering from the latest skirmish in the ongoing Battle of No, You Cannot Wear That to School; or they are checking their e-mails, looking at their schedules, and generally girding themselves for all that is to come.

  Me?

  At 8:38 A.M., I do solemnly swear that I, Carter Ross, am asleep.

  In my profession, this is not necessarily a sign of sloth. Editors typically have established hours, but reporters adapt their schedules to the demands of their beat. Courthouse reporters are at the whim of their trial; education reporters learn to make calls during the school day; sports reporters, the vampires of the journalism world, primarily work at night. As an investigative reporter, I don’t have a beat per se. No one expects to see me in the office at any particular time of the day, and certainly not at 8:38 A.M., when most self-respecting American newsrooms are devoid of all but the barest minimum of personnel. Anywhere from ten to eleven is considered a more fashionable arrival time. So I pretty much get up when I feel like it. I have a need to set an alarm maybe five times a year.

  I often make up for it on the other end because while my day may come in like a lamb, it often goes out like a lion, with sources and editors and deadline all screaming at me simultaneously. My employer, the Newark Eagle-Examiner—New Jersey’s largest and most tenacious disseminator of responsibly vetted information—always gets its pound of flesh out of me.

  Nevertheless, if I do happen to wake up when there is an unsightly number (like an eight or, God forbid, a seven) leading the digital clock by my b
edside, I take pride in rolling over and snoozing until I see a more proper number (like a nine or a ten). The main characters in my life—be it my colleagues, my friends, or Deadline, the cat who reliably joins me in my morning slumber—know this about me.

  So it came as something of a surprise when I became aware that my landline, the number almost no one used anymore, was ringing one sunless Monday morning in March at exactly 8:38 A.M.

  “Hello?” I said, sounding a bit guttural.

  “Carter, it’s Katie Mossman.”

  Katie was one of the editors on what was formally called the Nonstop News Desk, which had been created a few years back to feed the insatiable content beast that is our Web site. Informally, we reporters called it the All-Slop News Desk—“the Slop” for short—because that’s about what we shoveled into it.

  “What’s up, Katie?”

  “We got a dead Newark cop,” she replied, and I immediately sat up in bed and grabbed a notepad.

  For as much as law enforcement and media sometimes find themselves at odds, we in the Fourth Estate recognize that those who are sworn to uphold the law not only perform a vital function for public safety but represent all of us in doing it. An attack on one of their number is an attack on everyone. Police officers who die in the line of duty are heroes and are treated as such. In other words, dead cops equal big news.

  “Okay. What do you need from me?”

  “I don’t know. I don’t think we have a game plan yet. I just called Tina to tell her about it and she said I should call you and, quote, ‘Get his sorry ass out of bed.’”

  As the assistant managing editor for local news, Tina Thompson was my boss. She and I also had a fairly complex, on-and-off relationship (currently: off). In both roles, she was not especially shy about expressing her needs.

  “You can tell her it’s out,” I said. “What’s this cop’s name?”

  “From what we’re hearing, it’s Darius Kipps. K-I-P-P-S. Detective Sergeant Darius Kipps.”

  The name meant nothing to me. While I wasn’t strictly a cops reporter, I had a decent number of contacts in the Newark Police Department. Still, there were more than a thousand cops on the force and I knew only a fraction of them.

  “What happened to him?”

  “We don’t know that yet, either. The Newark PD hasn’t announced any of this. We’re just getting this from sources. We haven’t even put it online yet because we don’t have it confirmed.”

  “So how do we know this mystery cop is dead?”

  “One of the photogs was listening to the scanner this morning and said there was a lot of chatter about something going down at the Fourth Precinct. We figured it out from there.”

  I knew the Fourth Precinct well. It was in the Central Ward, in the heart of a Newark neighborhood that had been making news, not all of it good, for a long time.

  “Got it. What does Tina want from me?”

  “Plans are still being formed. At this point, she just wants everyone in here. It’s one of those all-hands-on-deck things.”

  That, of course, was the reaction of most editors to a big story. Gather up your reporters—they sometimes referred to us as “resources” so we wouldn’t be confused with human beings—and then figure out what to do with us later. It usually just meant we’d be bumping into one another all day long.

  But, in truth, the only thing worse than doing all that bumping was being left out of it. I told Katie her message had been delivered, then hung up. There would be no dawdling in bed on this day. Anyone with reporter’s blood flowing in his veins—and I fancied myself as having a lot of it—wanted in on a story like this.

  * * *

  As a thirty-two-year-old bachelor with no significant encumbrances, I can be showered, dressed, and ready to ramble in fifteen minutes. Twelve if I really push it.

  I streamline this process in several ways. One, there is nothing complicated about my hair. It’s brown and short—never more than four weeks away from being cut—and I part it on the side, the same way I’ve been doing it since I was old enough to hold a brush.

  Two, my morning routine involves a bare minimum of lotionry and potionry. I’ve been told the modern male ought to concern himself with hair product, moisturizer, cologne and/or body spray, and perhaps a half-dozen other products from the health and beauty aisle, all carefully applied and then painstakingly primped. Me, I wear deodorant (primarily out of consideration to my fellow man).

  Three, my wardrobe is, quite deliberately, the most boring thing you’ve ever seen. I have two possible colors of pleated slacks (charcoal and khaki), two colors of shirt (white and blue) and three colors of necktie (red, yellow, or blue). And if you notice, any of the twelve resulting color combinations match just fine. So I can pretty much dive into my closet and grab blindly for anything that’s clean, knowing I can’t miss.

  The end result of all this is not particularly inspiring—I make a Land’s End catalogue look avant-garde by comparison—but it works for me. You have to know what flavor of ice cream you are in this world, and I am vanilla.

  On this day, my closet dive yielded the racy blend of khaki pants, a white shirt, and a blue tie. I tossed a bit of kibble in a bowl for Deadline—not that he would be awake to eat it for another few hours—then opened my laptop.

  I had no intention of going into the office to be one of Tina Thompson’s “resources,” which would just involve sitting around a conference table until someone told me to do what any good reporter should have been doing all along. Sometimes editors just get in the way like that.

  So I got to work. After about five minutes of accessing a few of the databases on which a reporter makes his living, I learned the late Darius Kipps had been with the Newark Police Department for twelve years and three months. He was thirty-seven years old, having celebrated his birthday on the first of March. He was making $93,140 a year, which is not unusual in a state with the nation’s highest paid police officers. He had a variety of addresses associated with him—some in Newark, some in Irvington—but seemed to have settled in East Orange.

  Sure enough, when I checked the East Orange property tax records, I found a dwelling owned by Noemi and Darius Kipps on Rutledge Avenue.

  And that, I had already decided as I closed the lid on my laptop, was where I needed to be.

  This was something of a calculated gamble on my part. Without knowing how Darius Kipps met his untimely end, there was no telling what would figure prominently in our story. But, sadly, I could proffer up a reasonable guess. He was a detective, which is usually a pretty safe place for a cop. Unless, of course, you’re undercover. Then you’re just as exposed to danger as anyone else who tries to make a life on the streets. If not more so. All it takes is some punk deciding you looked at him the wrong way and, not knowing you’re a cop, pulling the trigger.

  Or maybe something else had befallen Detective Sergeant Kipps. Point is, we had cops reporters who were in a better position to figure it out, leaving me to work other angles. And in a story like this, it was safe to assume that the grieving widow, Noemi Kipps, would be one of those angles.

  That meant every minute counted. This was not necessarily out of any concern for the paper’s production schedule. It was all about the competition or, more accurately, the lack of it.

  A Newark police officer killed in the line of duty would inevitably attract the attention of every television and radio station in the Greater New York area, which only happens to be the biggest media market in the country. All of them would know a grieving widow was a big part of the story, too. And since they have access to the same databases I did, they, too, would soon be heading in the direction of Rutledge Avenue in East Orange.

  The cumulative effect of all those reporters would be something like cattle in a field. Put one cow in a small pasture, and what you have is a nice, green plot of earth. She can roam freely, nibbling grass as she feels like it, and generally has a pretty good time of things. Put a whole bunch of cows in that same field, and w
hat you have in fairly short order is a big, stinky, muddy mess. And none of the cows feel like they’re getting much of a meal.

  So the trick is to be that first cow, then find a way to lock the gate so the rest of the herd can’t get in.

  Bidding Deadline farewell—he would miss me, but only due to the absence of body heat—I went out into the gray morning, hopped in my car, and began the short drive from my home in Bloomfield to the Kipps household in East Orange.

  Along the way, I called Tina. There was a time when Tina and I had a fairly simple understanding: she simply wanted my seed. After two decades of using her beauty and cunning to run roughshod over the male species, cycling through its representatives in a series of relationships that lasted anywhere from one night to one month, she had reached a point where she realized her baby-making years were running short.

  She was far too practical and goal-oriented to engage in the imprecise business of courtship, so she mostly judged men on their potential to pass certain desirable characteristics onto her offspring. She was looking for a partner with blue eyes and broad shoulders (check). She wanted him to be at least six feet tall (I’m six foot one). And she was looking for a certain kindly, easygoing disposition (howdy, friend). Hence, she decided I was the ideal sperm donor—and that rather than making the swap in a laboratory, we might as well do it as nature intended.

  She made it clear it was a no-strings-attached proposition, that I could taste the fruit without buying the orchard, as it were. The only problem was, I sort of wanted the orchard. So we had reached an impasse in our relationship: namely, I wanted one and she didn’t.

  Then she got promoted and became my editor, which imposed further impediments to the possibility of our getting together. So we sort of decided to cool it. I say “sort of” because nothing felt very cool when we wound up together after work, especially after a drink or two.

  Then, in an unexpected development, I got tired of all that will-they-or-won’t-they stuff and started dating Kira O’Brien, a new librarian in the newspaper’s research department. Actually, I’m not sure you could call what we did “dating.” But that was another story.